Vol. 21 (2019): Why do we need the concept of “art”?

View Vol. 21 (2019): Why do we need the concept of “art”?
 

Co-financed by the Minister of Culture and National Heritage from the Promotion of Culture Fund

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EDITORS OF VOLUME: Grzegorz Sztabiński, Paulina Sztabińska-Kałowska

Published: 2020-01-10

Articles

  • Towards a New Philosophical Functionalisation of the Concept of Art

    Iwona Lorenc
    9-18
    DOI: https://doi.org/10.26485/AI/2019/21/1

  • Why Do We Need the Term “Art”?

    Grzegorz Sztabiński
    19-35
    DOI: https://doi.org/10.26485/AI/2019/21/2

  • Some Contexts of the Question About Art – From Essentialism to Machine Epistemology

    Kazimierz Piotrowski
    37-58
    DOI: https://doi.org/10.26485/AI/2019/21/3

  • Regimes of Identification of Art

    Rafał Czekaj
    59-67
    DOI: https://doi.org/10.26485/AI/2019/21/4

  • Pierre Bourdieu on Art As Social Practice. The Defence of the Concept of the Autonomous Field of Cultural Production

    Maja Piotrowska
    69-83
    DOI: https://doi.org/10.26485/AI/2019/21/5

  • Contemporary Art or Contemporary Arts? Remarks on ”Le paradigme de l’art contemporain” by Nathalie Heinich

    Łukasz Białkowski
    85-97
    DOI: https://doi.org/10.26485/AI/2019/21/6

  • Cognitive Values in New Media Art

    Sidey Myoo
    99-109
    DOI: https://doi.org/10.26485/AI/2019/21/7

  • How Does Performance Affect the Understanding of ‘Art’?

    Paulina Sztabińska-Kałowska
    111-127
    DOI: https://doi.org/10.26485/AI/2019/21/8

  • Street Art as a New Phenomenon of Art – a Means of Gentrification of the Urban Environment

    Mykola Dyomin, Oleksandr Ivashko
    129-148
    DOI: https://doi.org/10.26485/AI/2019/21/9

  • Contemporary Art and its Boundaries: Permeation or Pervasion?

    Olga Jagnicka
    149-160
    DOI: https://doi.org/10.26485/AI/2019/21/10

  • Is Stage Design a Craft or Art?

    Dominika Łarionow
    161-170
    DOI: https://doi.org/10.26485/AI/2019/21/11

  • The Concept of Art and Works of Art in the Theory of Art and in the Restoration Industry

    Mykola Orlenko, Yulia Ivashko
    171-190
    DOI: https://doi.org/10.26485/AI/2019/21/12

  • On the Incompatibility of Science and Art – A Quantitative Survey to Determine the Relevance of an Academic Definition of Art for Artists

    Sarah Fassio, Jessica Hodgkiss, Adrianna Rosa
    191-208
    DOI: https://doi.org/10.26485/AI/2019/21/13