Vol. 19 (2017): Avant-garde and avant-gardes

• Editorial

  7-8

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• Foreword

  Jolanta Rudzka-Habisiak

  9-11

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• The Department of Art History at the University of Łódź and the research into the avant-garde movement

  Piotr Gryglewski

  13-16

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Articles

• Subversive artistic strategies of the avant-garde and the crisis of modern experience

  Iwona Lorenc

  17-31

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• Avant-garde against avant-garde

  Ryszard Kluszczyński

  33-43

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• What the avant-garde stands for today

  Łukasz Guzek

  45-56

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• The avant-garde: art as theory

  Grzegorz Sztabiński

  57-72

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• Las Meninas – Interpretation narratives throughout centuries

  Sidey Myoo

  73-87

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• The spirituality of art after Kandinsky

  Maria Popczyk

  89-105

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• The avant-garde as a movement towards the present

  Maja Piotrowska

  107-120

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• Adorno and practically useless art, or autonomy instead of avant-garde

  Rafał Czekaj

  121-130

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• Transit Monumental – The way of Independence. Aesthetics in the identity projects of late modernity

  Tomasz Szczepanek

  131-140

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• Fashion as the Other of art. The position of clothing design in the avant- -garde art and in the contemporary era

  Magdalena Samborska

  141-151

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• Avant-gardists and primitivism

  Aneta Pawłowska

  153-169

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• Can we talk about contemporary avant-garde outside Western cultures? The case of contemporary art in the Republic of South Africa

  Aleksandra Łukaszewicz Alcaraz

  171-185

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• Anthropophagy as a concept of the Brazilian avant-garde at the end of the 1920s. Between history, myth and artistic conception

  Ewa Kubiak

  187-204

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• Interwar works by Izrael Lejzerowicz in the context of the “new art” milieu’s accomplishments in Łódź

  Irmina Gadowska

  205-219

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• The intermediality of the avant-garde or the avant-garde of intermediality? Is the avant-garde intermedial?

  Konrad Chmielecki

  221-242

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• Intermediality and performativity in the context of performance art

  Lilianna Bieszczad

  243-255

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• Digital performance and avant-garde artistic distinctions

  Paulina Sztabińska

  257-272

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• From sign to word in contemporary Polish “HTML literature”. Post-avant-garde heirs of modernist typography

  Anna Pawłowska, Anna Wendorff

  273-289

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• Bauhaus – the school that became the avant-garde

  Dominika Łarionow

  291-305

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• The avant-garde roots of Polish design in the Socialist Realism period. A case study

  Aleksandra Sumorok

  307-324

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• Designing utopia. Avant-garde architecture vs. processes of modernization

  Błażej Ciarkowski

  325-337

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• Beyond a narrative. Functionless modernist heritage buildings and the aesthetic autonomy of the citizens

  Jakub Petri

  339-348

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