Vol. 26 (2024): Art and culture in times of danger

View Vol. 26 (2024): Art and culture in times of danger

Co-financed by the Ministry of Education and Science, Republic of Poland.

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VOLUME EDITORS: Aneta Pawłowska, Paulina Sztabińska-Kałowska

Published: 2024-12-29

Full Issue

Articles

  • On the role of art in overcoming cognitive obstacles from the perspective of philosophical esthetics

    Teresa Pękala
    11-28
    DOI: https://doi.org/10.26485/AI/2024/26/1

  • Sensory art

    Sidey Myoo
    29-42
    DOI: https://doi.org/10.26485/AI/2024/26/2

  • Artificial intelligence and concerns about ‘true’ art. Remarks on why human art is overrated and AI-made art. unjustifiably undervalued

    Łukasz Białkowski
    43-59
    DOI: https://doi.org/10.26485/AI/2024/26/3

  • Readymade: a problem for the definition of art. and its solution

    Łukasz Guzek
    61-82
    DOI: https://doi.org/10.26485/AI/2024/26/4

  • Difficult knowledge as an exhibition theme in small museums: case examples from the Czech Republic

    Pavol Tišliar, Lucie Jagošová
    83-109
    DOI: https://doi.org/10.26485/AI/2024/26/5

  • Art in post-catastrophic geography. "Don't follow the wind project in Fukushima"

    Ewa Wójtowicz
    111-122
    DOI: https://doi.org/10.26485/AI/2024/26/6

  • The role of Cluniac art and architecture in times of danger

    Piotr Gryglewski, Natalie Moreno-Kamińska
    123-139
    DOI: https://doi.org/10.26485/AI/2024/26/7

  • Architecture in times of climate crisis – selected aspects

    Julia Sowińska-Heim
    141-158
    DOI: https://doi.org/10.26485/AI/2024/26/8

  • Sculptor or engineer? The idea of the "total work of art" as a form of freedom of mind in the face of danger. Comparative analysis of selected examples

    Katarzyna Kołodziejczyk
    159-175
    DOI: https://doi.org/10.26485/AI/2024/26/9

  • Issues of totalitarian period monuments in the context of the Russian-Ukrainian war

    Yuliа Ivashko, Andrii Dmytrenko, Michał Krupa, Justyna Kobylarczyk, Dominika Kuśnierz-Krupa, Serhii Belinskyi
    177-199
    DOI: https://doi.org/10.26485/AI/2024/26/10

  • Recent Polish and Ukrainian dramaturgy in the face of modern world crises

    Irena Górska
    201-216
    DOI: https://doi.org/10.26485/AI/2024/26/11

  • The art of peace – can artists stop the war between Israel and Palestine?

    Eleonora Jedlińska
    217-238
    DOI: https://doi.org/10.26485/AI/2024/26/12

  • Earthquakes and colonial art in Cusco (Peru)

    Ewa Kubiak, Guadalupe Romero-Sánchez
    239-258
    DOI: https://doi.org/10.26485/AI/2024/26/13

  • Jane Jin Kaisen’s works as the practice of exploring history, memory and trauma

    Anna Dzierżyc-Horniak
    259-285
    DOI: https://doi.org/10.26485/AI/2024/26/14

  • Indigenous festival arts and (dis)connect with contemporary socio-cultural realities in Southeastern Nigeria

    Princewill Chukwuma Abakporo, Stanley Timeyin Ohenhen
    287-310
    DOI: https://doi.org/10.26485/AI/2024/26/15

  • Dramaturgy of anxiety in the theater work “Pintu Dan Ketukan Ketukan Yang Mengganggu” (The Door and the Disturbing Knocks)

    Yusril, Sahrul N., Afrizal H., Ali Sukri, Cameron Malik
    311-327
    DOI: https://doi.org/10.26485/AI/2024/26/16

  • Expressing death between realism and surrealism in Bruegel's painting “Triumph of Death”

    Ryadh Ben Amor, Dany Abi Karam
    329-349
    DOI: https://doi.org/10.26485/AI/2024/26/17

  • A threat of exclusion – negative aesthetics on the example of Zyta Rudzka's work

    Monika Błaszczak
    351-369
    DOI: https://doi.org/10.26485/AI/2024/26/18

  • Art in the shadow of the gallows. Visual accounts of the execution of Teofil Wiśniowski and Józef Kapuściński

    Agnieszka Świętosławska
    371-401
    DOI: https://doi.org/10.26485/AI/2024/26/19

  • Felix Nussbaum's Triumph of Death as a powerful voice of dissent against wartime

    Magdalena Milerowska
    403-419
    DOI: https://doi.org/10.26485/AI/2024/26/20

  • The language of art in times of danger

    Anna Wendorff
    421-433
    DOI: https://doi.org/10.26485/AI/2024/26/21

  • Facing the irreversible. Three philosophical études

    Anna Chęćka
    435-448
    DOI: https://doi.org/10.26485/AI/2024/26/22