Street Art as a New Phenomenon of Art – a Means of Gentrification of the Urban Environment

  • Mykola Dyomin Kyiv National University of Construction and Architecture
  • Oleksandr Ivashko Kyiv National University of Construction and Architecture https://orcid.org/0000-0002-9194-2153
Keywords: new art, street art, content, art cluster, globalization

Abstract

The article deals with the genesis of street art, its transformation from a spontaneous phenomenon of the urban environment, to a phenomenon that has been recognized by the people and professionals and attracted the attention of expert artists. Successively, street art has transformed and is transforming into a specific type of contemporary art, in which various movements of international or regional character (graffiti, muralism) can be determined. The spread of street art as a phenomenon of art was promoted by the availability of information technologies and the activity of manufacturers of aerosol paints. In the process of development of street art, thanks to the participation of professional artists, the art techniques have emerged, which have an interconnection with the classical styles of art. Expanding the scope of applica­tion of street art products becomes a significant component of the sphere of spiritual production and requires modern organizational structures and associations, such as art centres and art clusters. It will contribute to the effectiveness of their activities, the popularization of street art as a means of art education of the population, the synthesis of experience. Crystallization of creative processes and thanks to the globalization, their transformation into the directions and styles of street art occur.

 

References

Antonova, A.A. Art clusters as a space for the development of the cultural potential of the city. In the world of science and art: questions of philology, art history and cultural studies: collection of articles. Proceedings of the XLVII Intern. Research and Practical Conf. No. 4 (47). Novosibirsk: Sibak, 2015 https://sibac.info/conf/philolog/xlvii/41733 5.05.2018.

Banksy. Existencilism book (2002). URL: http://www.artofthestate.co.uk/banksy/Banksy_Exi­stencilism_book.htm

Daunt, J. The Tactics and Strategies of Banksy and Street Art (2012). URL: http://ru.scribd.com/doc/104414386/The-Tactics-and-Strategies-of-Banksy-and-Street-Art 16.06.2019.

Ivashko, Yu. & Ivashko, O. Current issues in research, conservation and restoration of historic forti­fications. Chelm-Lviv, 2017. no. 9, pp. 9-14.

Kravchenko, I.L., Ivashko, O.D. The issue of graffiti in the urban environment as a protest form of the youth subculture. “Urban Planning and Territorial Planning” 2014, no. 53, pp. 222-226.

Kudriashov, I.S. Street art as a phenomenon of modern culture: the problem of genesis and semiotic features of the message. “Criticism and Semiotics”, 2014/2, pp.220-233.

Luganskaya, D. Street artist Pavel 183: interview before death (04/04/2013) // BBC Russian Service. URL: http://www.bbc.co.uk/russian/russia/2013/04/130404_-street_art_-p183_- inte­rview.shtml 16.06.2019

Makarova, K. Post-industrialism, gentrification and transformation of the urban space of modern Moscow. Neprikosnovennyi Zapas, 2010, pp. 150-152.

Martynova, M. Subjective assessment of the feasibility of basic values in an urban environment and its relationship with the personal potential of university students. “Young Scientist”, 2013, no 12, pp. 809-814.

Migunov, A. & Khrenov, N. S Aesthetics and Theory of Art of the 20th Century [Reader]. M. 2008.

Orlenko, M., Ivashko, A. Art-Clusters as a New Type of Buildings: the Specificity of the Spatial Solu­tion and the Features of Restoration during the Redevelopment Process (The Experience of Poland). “Smart Project, Building and City / Środowisko Mieszkaniowe (Housing environment)”, 2017, No. 21, pp.109-115.

Perehuda, Ye. & Ivashko, O. Street art as a factor of cultural development and an element of symbo­lic politics in post-revolutionary Ukraine. “Stosunki międzykulturowe. Tom 1. Strategie bezpieczen­stwa I komunikacji we wpółczesnym swiecie “. Zielona Gora, 2016. pp.155-174.

Prokofiev, V. N. About art and art history. M., 1985. 161 p.

Tykulov, D. Factories are transformed into art clusters. [Electronic resource] Access mode. URL: http://www.irn.ru/articles/31677.html (appeal date: 03/01/2015). 05.05.2018

Fedotova, N. Creative Cluster in the Context of Socio-Cultural Problems of the Region. All-Russian Scientific and Practical Conference “Challenges of the XXI Century”: Materials of the scientific conference. April 30, 2013 Book House “Librokom” 2013, pp. 59-68.

Chistyakova, M.G. Street art in the context of the challenges of our time. «Izv. Alt. state University » 2011, no.2-1. pp. 210-213.

Shylo, O.V. & Ivashko, O.D. Monumental art and street art in modern urban space. “Scientific Herald of Construction” 2016 no.2 (84). Kharkiv, pp. 74-78.

Published
2019-12-29