José Aburto Zolezzi: el autor en busca de la interfaz literaria ideal

Bibliografia

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— (s. a. b), sin título, http://www.entalpia.pe/entalpia/absurdo/index.htm [7.05.2018].

— (s. a. c), sin título, http://www.entalpia.pe/ [22.05.2018].

— (s. a. d), sin título, http://www.entalpia.pe/entalpia/_coc/despierto.htm [22.05.2018].

Aarseth Espen (1997), Cybertext. Perspectives on Ergodic Literature, The Johns Hopkins UP, Bal¬timore–London.

Angel Maria, Gibbs Anna (2013), At the Time of Writing: Digital Media, Gesture, and Han¬dwriting, “Electronic Book Review”, 30.08., http://www.electronicbookreview.com/thread/ electropoetics/gesture [1.11.2013].

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Bouchardon Serge (2014), Figures of Gestural Manipulation in Digital Fictions [en:] Analizing Digital Fiction, eds. Bell A., Ensslin A., Rustad H.K., Routledge, New York.

— (2018), Toward Gestural Specificity in Digital Literature, “Electronic Book Review”, 12.02.2018, http://electronicbookreview.com/essay/towards-gestural-specificity-in-digital-literature/ [20.04.2018].

Drucker Johanna (2011), Humanities Approaches to Interface Theory, “Culture Machine”, no 12.

Emerson Lori (2014), Reading Writing Interfaces. From the Digital to the Bookbound, University of Minesota Press, Minneapolis–London.

Ensslin Astrid (2011), From (w)reader to breather: Cybertextual de-intentionalisation in Kate Pullinger et al.’s Breathing Wall [en:] New Narratives: Stories and Storytelling in the Digital Age, eds. Page R., Thomas B., University of Nebraska Press, Lincoln–London.

Hayles Katherine N. (2002), Writing Machines, MIT Press, London–Cambridge.

— (2006), The Time of Digital Poetry: From Object to Event [en:] New Media Poetics: Contexts, Technotexts, and Theories, eds. Morris A., Swiss T., MIT Press, Boston.

Higgins Dick (1987), Pattern Poetry. Guide to Unknown Literature, State University of New York Press, New York.

High Jeremy (2010), Locative Narrative, Literature and Form [en:] Beyond the Screen. Transfor¬mations of Literary Structures, Interfaces and Genres, eds. Schäfer J., Gendola P., transcript, Bielefeld.

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Løvlie Anders Sundnes (2009), Poetic Augmented Reality: Place-bound Literature In Locative Media, https://www.duo.uio.no/bitstream/handle/10852/27215/lovlie_poetic_augmented_reality_free_access_version.pdf ?sequence=1 [30.04.2017].

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Pressman Jessica (2009), The Aesthetic of Bookishness in Twenty-First-Century Literature, “Mi¬chigan Quarterly Review”, fall.

Przybyszewska Agnieszka (2015), Liberackość dzieła literackiego, Wydawnictwo UŁ, Łódź.
Rettberg Scott (2019), Combinatory Poetics [en:] idem, Electronic Literature, Polity Press, Cam¬bridge–Medford.

Rypson Piotr (1989), Obraz słowa. Historia poezji wizualnej, Akademia Ruchu, Warszawa.

— (2002), Piramidy-słońca-labirynty. Poezja wizualna w Polsce od XVI do XVIII wieku, Wydaw¬nictwo Neriton, Warszawa.

Simanowski Roberto (2009), What is and to What End Do We Read Digital Literature? [en:] Literary Art in Digital Performance. Case Studies in New Media Art and Criticism, ed. Ricar¬do F.J., continuum, New York-London, http://dm.postmediumcritique.org/Book_Literary¬ArtInDigitalPerformance.pdf [28.05.2013].

Starre Alexander (2015), Metamedia. American Book Fictions and Literary Print Culture after Digitalization, University of Iowa Press, Iowa City.

Strehovec Janez (2014), The E-Literary Text as an Instrument and Ride. Novel Forms of Digi¬tal Literature and the Expanded Concept of Reading [en:] New Literary Hybrids in the Age of Multimedia Expression: Crossing Borders, Crossing Genres, ed. Cornis-Pope M., Virginia Commonwealth University, Amsterdam/Philadelphia.

White Glyn (2005), Reading the Graphic Surface. The Presence of the Book in Prose Fiction, Man¬chester UP, Manchester.  
Opublikowane
2019-12-29
Jak cytować
Przybyszewska, Agnieszka. 2019. José Aburto Zolezzi: El Autor En Busca De La Interfaz Literaria Ideal. Zagadnienia Rodzajów Literackich 62 (4), 119-30. http://czasopisma.ltn.lodz.pl/index.php/Zagadnienia-Rodzajow-Literackich/article/view/801.
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