Niobe w oku kamery. Projekt filmowy — między konkretyzacją a scenopisem
Niobe by Gałczyński through the camera’s eye. A film project — between concretization and script
DOI:
https://doi.org/10.26485/ZRL/2018/61.4/5Keywords:
Konstanty Ildefons Gałczyński, poezja polska XX wieku, interpretacja, obrazowanie, montaż filmowyAbstract
Niobe, a poem by Gałczyński was interpreted with verse and musical references, in the context of Mediterranean culture and contemporary realities of the palace of Nieborów, where a copy of the Ancient sculpture is located. The author creates a “film theory of narratology” and proceeds with reflections on various relationships between literature and cinema, on natural sight and imagination, and takes into consideration the following perspective theories: intersemiotic comparative, Bergson, Ingarden, Helman, Ziomek. Next, he offers a film interpretation of the descriptive part of the poem through a Large Violin Concert.
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Published
2019-04-16
How to Cite
Michałowski, P. (2019). Niobe w oku kamery. Projekt filmowy — między konkretyzacją a scenopisem: Niobe by Gałczyński through the camera’s eye. A film project — between concretization and script. Zagadnienia Rodzajów Literackich The Problems of Literary Genres, 61(4), 71–89. https://doi.org/10.26485/ZRL/2018/61.4/5
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