Niobe w oku kamery. Projekt filmowy — między konkretyzacją a scenopisem

Niobe by Gałczyński through the camera’s eye. A film project — between concretization and script

Authors

  • Piotr Michałowski Instytut Polonistyki, Kulturoznawstwa i Dziennikarstwa, Uniwersytet Szczeciński, Poland

DOI:

https://doi.org/10.26485/ZRL/2018/61.4/5

Keywords:

Konstanty Ildefons Gałczyński, poezja polska XX wieku, interpretacja, obrazowanie, montaż filmowy

Abstract

Niobe, a poem by Gałczyński was interpreted with verse and musical references, in the context of Mediterranean culture and contemporary realities of the palace of Nieborów, where a copy of the Ancient sculpture is located. The author creates a “film theory of narratology” and proceeds with reflections on various relationships between literature and cinema, on natural sight and imagination, and takes into consideration the following perspective theories: intersemiotic comparative, Bergson, Ingarden, Helman, Ziomek. Next, he offers a film interpretation of the descriptive part of the poem through a Large Violin Concert.

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Published

2019-04-16

How to Cite

Michałowski, P. (2019). Niobe w oku kamery. Projekt filmowy — między konkretyzacją a scenopisem: Niobe by Gałczyński through the camera’s eye. A film project — between concretization and script. Zagadnienia Rodzajów Literackich The Problems of Literary Genres, 61(4), 71–89. https://doi.org/10.26485/ZRL/2018/61.4/5

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Section

Articles