Vol. 25 (2023): How do artists think?

View Vol. 25 (2023): How do artists think?

Co-financed by the Ministry of Education and Science, Republic of Poland.

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VOLUME EDITOR: Teresa Pękala

Published: 2023-12-13

Full Issue

Articles

  • Rethink thinking

    DOI: https://doi.org/10.26485/AI/2023/25/1
    Teresa Pękala
    9-22

  • To be wise or to think?

    DOI: https://doi.org/10.26485/AI/2023/25/2
    Andrzej Ostrowski
    23-40

  • Is Making Art a Way of Thinking?

    DOI: https://doi.org/10.26485/AI/2023/25/3
    Anna Szyjkowska-Piotrowska
    41-60

  • Genetic Criterion of Art

    DOI: https://doi.org/10.26485/AI/2023/25/4
    Sidey Myoo
    61-72

  • Experience of the "lower” senses – the artist's multisensory aisthesis

    DOI: https://doi.org/10.26485/AI/2023/25/5
    Monika Błaszczak
    73-94

  • Musical Thinking Revisited: An Interdisciplinary Approach

    DOI: https://doi.org/10.26485/AI/2023/25/6
    Anna Chęćka
    95-114

  • Paranoia-criticism as a surrealist variant of artistic thinking

    DOI: https://doi.org/10.26485/AI/2023/25/7
    Agnieszka Kuczyńska
    115-125

  • How designers think. Conceptual blending in design

    DOI: https://doi.org/10.26485/AI/2023/25/8
    Hanna Bytniewska
    127-137

  • Dialogues between artists and fashion

    DOI: https://doi.org/10.26485/AI/2023/25/9
    Ewa Szkudlarek
    139-151

  • Landscape Embodied (in and through Art)

    DOI: https://doi.org/10.26485/AI/2023/25/10
    Beata Frydryczak
    153-165

  • Thinking Landscape in Art

    DOI: https://doi.org/10.26485/AI/2023/25/11
    Mateusz Salwa
    167-179

  • How does the artist think? – an analysis of Grzegorz Sztabiński's works

    DOI: https://doi.org/10.26485/AI/2023/25/12
    Paulina Sztabińska-Kałowska
    181-205

  • Exhibition of works by Grzegorz Sztabiński at The University of Łódź, entitled hommage à Grzegorz Sztabiński – "continued...", as a contribution to the analysis of ways of looking at a work of art

    DOI: https://doi.org/10.26485/AI/2023/25/13
    Aneta Pawłowska, Izabela Krejtz, Katarzyna Wisiecka
    207-227

  • Transcendence in art and contemporary margins of transcendence in Grzegorz Sztabiński's "aesthetic thinking"

    DOI: https://doi.org/10.26485/AI/2023/25/14
    Rafał Solewski
    229-240

  • A Journey to Areas of Non-obviousness. Jerzy Bereś, Zbigniew Warpechowski and the Beginnings of Action Art in Poland

    DOI: https://doi.org/10.26485/AI/2023/25/15
    Kazimierz Łyszcz
    241-254

  • Aesthetic thinking according to Wisława Szymborska

    DOI: https://doi.org/10.26485/AI/2023/25/16
    Irena Górska
    255-269

  • In the reflection of an image – the works of Joanna Trzcińska

    DOI: https://doi.org/10.26485/AI/2023/25/17
    Daria Rutkowska-Siuda
    271-283

  • The art of Lazarus Takawira in the light of Frank McEwen's theory of inner vital forces

    DOI: https://doi.org/10.26485/AI/2023/25/18
    Dariusz Skonieczko
    285-302

  • What do artists teach us? Aesthetic experience and the multi-paradigm nature of contemporary art

    DOI: https://doi.org/10.26485/AI/2023/25/19
    Ryszard Solik
    303-321

  • Artists talk about war – an analysis using selected examples

    DOI: https://doi.org/10.26485/AI/2023/25/20
    Dominika Łarionow
    323-334

  • Writing Poetry after Bucha or on the Expression of the Inexpressible

    DOI: https://doi.org/10.26485/AI/2023/25/21
    Rafał Czekaj
    335-344

  • Analysis of fine-art photography techniques in representing the tragedy of war in Ukraine using Serhii Belinskyi's works

    DOI: https://doi.org/10.26485/AI/2023/25/22
    Serhii Belinskyi, Yuliа Ivashko, Iryna Kravchenko, Andrii Dmytrenko, Iryna Dreval
    345-365